Curious posts for curious people
Cabinet Creatures: The Strange World of Taxidermy Oddities
Posted by Shelley Edwards on
Taxidermy is an art of preservation, storytelling, and sometimes imagination. A well‑crafted specimen isn’t just a preserved creature, it’s a moment frozen, a narrative captured. A Brief History Victorians adored taxidermy. Their parlours were filled with birds, small mammals, and fantastical hybrids. It wasn’t about shock; it was about wonder. Ethical Taxidermy Today Modern artists prioritise: Natural deaths Sustainable sourcing Respect for the animal Transparency in process Collectors increasingly seek creators who honour the life behind the specimen. Oddities & Hybrids Some artists push boundaries, creating: Two‑headed creatures Winged mammals Mythical beasts Sculptural skeletal displays These pieces aren’t meant to...
The Objects That Tell Lies: A Guide to Historical Fakes & Forgeries
Posted by Shelley Edwards on
Not every curiosity tells the truth, and honestly, that’s part of the charm. Collectors know that the world of oddities is full of tricksters. Victorian mermaids, forged tribal masks, embellished relics… some objects were created to deceive, others simply to entertain. Famous Historical Fakes The Fiji Mermaid “Ancient” relics carved last Tuesday Faux shrunken heads made for tourists Medieval manuscripts with suspiciously modern ink These pieces often reveal more about the people who made them than the cultures they claim to represent. Why Forgeries Exist Because humans love stories. Because mystery sells. Because the line between art and deception is...
The Lost Souls of Victorian Mourning Jewellery
Posted by Shelley Edwards on
Victorians didn’t shy away from grief, they wore it openly. Mourning jewellery was intimate, sentimental, and deeply symbolic. It wasn’t macabre; it was love made tangible. Hairwork: The Art of Memory Locks of hair were braided, woven, or sculpted into intricate designs. Brooches, rings, pendants, each piece carried a fragment of someone cherished. Hair doesn’t decay. That permanence mattered. Symbols of Sorrow Victorian mourning jewellery often featured: Urns Weeping willows Clasped hands Skulls (gentle ones, not threatening) Jet beads carved into soft, flowing shapes Each symbol whispered a message: remembrance, devotion, continuity. Stories Behind the Pieces Some mourning rings were...
Diaphonisation: Turning Flesh Into Light
Posted by Shelley Edwards on
Diaphonised specimens look like something pulled straight from an alchemist’s dream — bones glowing through translucent tissue, stained in vivid reds and blues. They’re scientific, yes, but also undeniably enchanting. A Brief History Diaphonisation began as a way for biologists to study skeletal structures without dissection. Enzymes gently dissolve soft tissue, dyes highlight cartilage and bone, and suddenly the hidden architecture of a creature becomes visible. It’s anatomy transformed into art. The Process (Without the Gore) A specimen undergoes: Clearing Staining Preservation in glycerin The result is a creature suspended in time, its inner workings glowing like stained glass. Why...
The Things We Carry: Why Humans Are Drawn to Macabre Objects
Posted by Shelley Edwards on
There’s a quiet moment that happens when someone picks up a skull pendant, an antique key, or a bone fragment. Their fingers linger. Their eyes soften. It’s as if the object is speaking — not loudly, but insistently — reminding them of something they already knew. Humans have always carried strange things. A pebble from a riverbank. A charm from a market stall. A tooth found on a forest floor. These objects become anchors, little gravitational points that pull us back to ourselves. The Psychology of the Macabre It’s not morbidity. It’s meaning. Macabre objects remind us that life is...